1. Analyze the subject, content, reception, politics of value of the following art works (use text and the web):
Serie ELA 75K is an actual shopping cart that is plated in 24K gold and is placed on a spinning platform. Sylvie Fleury uses a shopping cart to represent the attraction people have towards the obsession of shopping. This item stands for amounts of money spent on shopping sprees and luxurious things in high-end places. The emptiness of the shopping cart may mean that even though these expensive items can be purchased, very few are bought.
Luncheon on the Grass is an oil painting of a naked woman who is situated next to two clothed men. In 1863 this work of art was found offensive by many. During this era, posing nude was almost unheard of and not only was the nudity the issue, but the fact that Edouard Manet used his wife and another female model for this piece. Another issue that sparked the controversy was that the men in the painting were his brother and his brother in law. This painting portrayed the full sway of prostitution in Paris which was forbidden to speak of or be shown to the public.
The Holy Virgin Mary is a very interesting work of art to say the least. It is compiled from paper collage, oil painting, glitter, elephant dung on linen, map pins, resin, and polyester. This particular work of art is characterized as Virgin Mary in dark skin. She is enclosed by pictures of bare bottoms which were cut out from pornographic magazines. Her name and her breast is made out of elephant manure. This item received a lot of negative attention from the public and at one point Chris Ofili was taken to court and considered sacrilegious by number of religious groups. After winning the court hearing, a man snuck paint inside and attempted to ruin the work of art.
Nude Descending a Staircase is a painting by Marcel Duchamp. This piece is considered a modernist classic of its time. In 1913 this piece was shown in New York during an exhibition...
References: "Frederick William MacMonnies: Bacchante and Infant Faun (97.19)". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/works-of-art/97.19 (October 2006)
Standstead, Lee. "The Meaning of Michelangelo 's "David"" The Meaning of Michelangelo 's "David" N.p., 05 Sept. 2004. Web. 08 June 2013. <http://www.sandstead.com/essays/david.html>.
Vankin, Deborah. "Blu Says MOCA 's Removal of His Mural Amounts to Censorship." Los Angeles Times. Los Angeles Times, 15 Dec. 2010. Web. 08 June 2013. http://articles.latimes.com/2010/dec/15/entertainment/la-et-moca-mural-20101215
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